Tag: writing

The Art of the Start

One of the parts I struggle with when writing is how to begin. Whether it’s the first line of a book, a chapter or a paragraph, it’s your first opportunity to reel in the reader and it doesn’t last long. Some writers are very specific about the details and ideas in their work before they ever sit to set pen to paper. I am much more of an organic writer, or a Gardening Writer accord to George R.R. Martin (though, in fairness, I’m also a writer who enjoys a bit of gardening). The problem with this is sometimes in the beginning. Personally, I have a few methods of going about my writing process in terms of where I want to story to begin. So, here are a few suggestions for those of you who don’t know where to begin your story.

  1. An Event- “It was autumn when the murders started.”
    Kicking right off into the action is especially helpful if you have a high octane thriller or a mystery on your hands! Why wait to jump right into the action if that’s what you know is going to be your point of focus? It doesn’t have to be something driven by action either. A festival at an old market, a coronation of the new king, the launch of a space ship or the grand opening of a new power plant. Events can be a good opportunity to show the setting in action. Not just as a backdrop, but as a living thing.
  2. A Character- “Agatha was the last witch that Jennifer wanted as her tutor.”
    Let’s be honest, characters are the heart of the story. Whether your character is smart, sassy, sarcastic or solemn, you enjoy writing their dialogue, asking yourself what they would do next as their character. Even starting with some snappy dialogue between two characters is a good way to establish a quick report with the reader before they even know these characters very well. Let your characters do the work for you.
  3. A Description- “The torchlight burned slowly, casting elongated shadows against the walls.”
    Not always my favorite (and probably not a whole chapter’s worth of material), but sometimes the situation calls for it. If you want your plot to be gradually increased over time, a description as your start can be helpful to set the scene. If your world is complex and unfamiliar to most readers, having this can be a good moment to establish a few “ground rules” for a fantasy or alien world. Use this sparingly though and try to combine it with introducing a character. Readers want action, even if that action is something as simple as a man preparing a cup of coffee. Or a murder. Whichever fits your story best.

What’s your favorite opening line? Dickens? Melville? Rowling? Leave your favorite one below!

The Naming of Things

(No, this is not a Patrick Rothfuss post)

Names are one of the most interesting tools at a writer’s disposal. Whether it’s a character, a place or an all-powerful item, Names are the first impressions that we give readers, whether we mean to or not. Sometimes, a name carries a certain weight to it for one person that it might not have as much effect on another.

Characters:
There are two people who own more than one baby name book: Expectant Couples and Writers. And even then, the writers probably have more.
I have four baby name books in my collection that I refer to when I need a new name. I find they often have good descriptions to give it context. I always try to think about my characters: who they are, their heritage, what their nickname preferences would be. I also think about the connotation that may come with the name (usually a quick google search will list any problems at first glance).
Another interesting thing I’ve seen done is using nouns as names. A perfect example would be Sodapop from The Outsiders. In my opinion, it’s unexpected and gives the character some personality (in this case bubbly) before we really get to know them. It’s tough to pull off, but with the right context, it can prove very interesting.
When it comes to fantasy names, it gets even trickier. I like playing with vowel sounds of fantasy sounding names, usually just sitting in my apartment playing with the phonetic sounds until I get it just right. Transcribing these sounds is a little trickier, but one thing I suggest? Avoid apostrophes. They make the reader stumble, so keep it simple. If your being is magnificent and interesting enough, ‘Carl’ can be a name that inspires fear in your readers when done properly.

Places:
A map is only as good as the cities you’ve named on it. The way we name towns occurs in a couple different ways, from what I’ve noticed. Usually, they’re geographic or honoring a former resident. A town named East Brook, for example, obviously would have been settled east of (you guessed it) a brook. Obviously, all names won’t be that simple. Or a place like Washington, District or State, is named after a figure that requires historical context to understand.
For fantasy towns, I like incorporating whatever geographic landmarks are nearby. A River or Mountain is easy to identify on the map, so I might call a fortress town River Hold or a town in between mountain peaks The Crease. In worlds without helpful street signs, large geographic markers make for the best kind of directions.
(Side Note: Always name your cities, or at least the ones you’ll be visiting. Nothing bugs me more than hearing about ‘The Captial’ unless there’s a good reason for it. Even if it is only referred to as ‘The Captial’ give it the honor of a name.)

Things:
Who wouldn’t love a Poison, Flaming Sword of Doom in their collection? But let’s be honest, that’s a bit of a mouthful. When I name items, I either make it obvious what it’s meant to do or I make it more obscure. When I talk about Eryn’s Razor Bow, it’s clear what the intent is before I even describe it. If I talk about The Orion’s Blade, we know it’s some type of blade, but the exact context is a little difficult. Is it a sword that gives strength? Is it a sword of space rock that has mystical powers? Tough to say for sure. It’s more fun.
Furthermore, giving weapons titles is a fun way to add backstory to your character’s tools, and often your characters. Orcrist from The Hobbit translates to The Goblin Cleaver. So it comes as no surprise that this sword has a less than amicable history with goblins.

The Power of Language:
One other thing to consider, when naming anything is the languages at your disposal. Tolkien’s Elvish Langauge was undeniably a cornerstone for his trilogy, especially when naming people, places, and things. Do your dwarves have a language you’ve developed? It would be an amazing opportunity to incorporate some of the languages into your story. Shifting from the “common speech” when naming things in your world gives the world more depth and makes it more interesting.

What are some of the best names you’ve heard of in a story? What really sticks out when you see certain names on the page?

Some Free Advice

“You need to know the rules well enough to break them.”

I was talking with some writing friends recently about the same things we hear in every course or workshop that we’ve done. There are a variety of “laws” to writing that every professor, every instructor and every person who writes will tell you. Some of them are obvious and some are decent pieces of advice. But a lot of times, we shorten them to one sentence and the free advice becomes exactly what you pay for. So, as someone who has been writing for a bit and knows several other writers, I wanted to kind of give you my take on some rather useless free advice.

Said Is Dead
(Even I’m guilty of this one, I’ll admit) This advice comes from the advice for varying your word choice. While I think that varying your words and sentence structure is important, you don’t have to become a human thesaurus. “Said” is one of the words that I’ve heard some people say to just delete from your vocabulary. But in my mind, that’s ridiculous. You can, and should, use “said” when writing dialogue. If you feel that you’re overusing it in an exchange, feel free to leave them out, just having a line of dialogue standing on its own. There are alternatives, but you don’t want your dialogue to become a collection of sighing, calling, yelling, wheezing, whispering, gasping, groaning and exclaiming. Use alternatives sparingly. It makes the times you do use it more exciting.

Show Don’t Tell
This advice starts with good intentions. 95 times out of 100, I totally agree with it. But there are instances when you can just state something. There are easy ways to show information. Shaking hands, watery eyes, and a cracking voice all lead us to think sad. But when you need to quickly convey information (Julia had a rough childhood in Scoot, Wisconsin) you are allowed to tell if it’s not very crucial to the current plot. You don’t have to go back and go through all of Julia’s childhood. You’re welcome to allude to a few examples to back up the statement, but I would recommend one or two instances of showing and telling the rest.

Write What You Know
This one makes me scoff. I once heard a joke that “If every writer wrote only what they knew, we’d have too many books about English professors having affairs with young coeds.” And there is some truth to that. “Write what you know” has been misinterpreted as “Write only about your experiences.” I believe that it should read “Write what you have thoroughly researched”. I think that an author has a responsibility to research their subject matter and their characters. Obviously, it’s easiest to write from our own perspectives, but don’t be afraid to research your subject matter and explore new material. Contact experts, explore your subject and research your topic!

Write For The Market
This piece always makes my heart drop a bit. One thing I hear a lot of is “You should write a book about blah blah blah. That would sell well!” And yes, it is true. If you want to make a career of writing, you should be thinking about sales. But I wouldn’t really want to write the stories or tales of someone else. I don’t want to write what’s popular or in the market. I want to write what makes me happy and that I want to read and get excited about. So, don’t write for a market. Find your market. That’s the only way you’ll be happy with your work.

Do you agree? Disagree? What’s the best writing advice you’ve gotten? Comment down below!

Stagnant

There’s a magical force in the writing world known as “Writer’s Block.” There are many arguments to say this isn’t a real thing. Sometimes it can be boiled down to laziness and inaction (because let’s be honest, even if you love your job, everyone needs a break). But there are some days when, no matter how hard I try, I can’t get words on the page I like. I don’t like to think of this as Writer’s Block.I prefer to think of this as stagnation as opposed to a block. Sometimes, to get the juices flowing, you have to shake things up to get it going again. I like to think of it as Stagnant Writer Syndrome.

Here’s the thing: I have lots of creative ideas bouncing around in my head. However, I get burned out trying to make it into something readable if I don’t have enough energy after work (which happens a lot). On these days, nothing would make me happier than kicking back on the couch and breezing through a series on Netflix.

Still, it’s a writer’s obligation to write. And when the ideas aren’t flowing, I have a couple tricks I like to do in order to get things flowing again.

  1. A lot of times, I can’t focus on what I’m working with because I’m thinking about a later section. So, I take the opportunity to write a future segment. I work better by connecting things (usually, I know the ending before most of the middle section when I’m plotting), so having a sooner connecting point helps me figure out what’s going to happen.
  2. Writing from a different character’s perspective can help realize their motivations in the story a little differently. I like doing this for my own benefit, but these segments sometimes work into the novel to shake the reader up as well.
  3. Moving on to a completely different story/subject helps as well. Getting my mind off focusing on the current story problem usually helps me get my mind refocused when I come back to the main project. I have little 1,000 word drabbles that I like doing and sometimes share these or revisit them for later projects.

So, those are the main things I do to get out of Stagnant Writer’s Syndrome. What do you do when you’re stuck on a Writer’s Block? How do you shake yourself free?

Music, Distractions and Avoiding the Internet

One of the modern writer’s greatest challenges is avoiding the myriad of distractions available online. Facebook, Twitter, Youtube, Wikipedia, various writer blogs…it’s a long, dangerous black hole when you go searching for one fact or a name. Even just finding a good soundtrack to write to is a hazard on the edge of a productivity collapse.

So, how do I stay focused? Honestly, it’s tricky. I do have an active brain, so it’s important for me to focus on my project, whether that’s editing a current story or working on some new writing.

The first thing I do? I shut off the wifi on my computer. Unless I absolutely need to check a fact, my computer doesn’t even get wifi. My phone gives me important notifications, but I know if I open the internet on my computer, I’m just going to spiral into the deep, dark corners of the internet.

After the internet distractions are appropriately removed, I find a good piece of music to work to. I like movie soundtracks a lot because I get distracted from my work if it’s a song with too many lyrics. I also find that movie soundtracks are a really easy way to get into the mood that I’m looking for. One of the ways I plot out stories is by listening to various movie scores until I find something that gives me the right mood.

Recently, I’ve gotten into Spotify and Pandora for moods. When working on Moon of the Huntress, I like writing to Celtic fiddle music because it reflects really strongly on the elf culture I’ve built. As far as composers, I love John Williams, Harry Gregson-Williams and Hans Zimmer for the epic, sweeping scores they provide (as well as a variety of moods, from peppy and happy to dark and brooding).

Editing, I like to limit as much as possible. It’s usually just me and some music. Using the tablet gives me the same limitations as page-by-page editing, by giving me one thing to focus on. For music, I try to keep it simple with Pandora or Spotify. Occasionally, I’ll listen to Podcasts while I’m working, but that depends on how well my brain is cooperating.

What do you like to listen to when you feel the need to focus? Do you listen to music? Put on some movie you’ve seen a million times? Do you only work in absolute silence? What is your preference?

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